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摘要：书法是中国传统文化的重要承载之一，它对士大夫文人书画的形成与发展具有深远的影响。本文就石涛的题画书法展开探究，石涛的书法单独成作极少，但题画书法却很丰富。本文主要探究的是石涛的题画书法艺术，将石涛的“书”与“画”结合起来进行分析，可以更好的揭示石涛题画书法的风格特征。他通过题款书法将诗文与绘画有机结合起来，使得绘画不单只是简单描绘事物的方式，更让作品充满作者的艺术情感和自己的思想，丰富了绘画的思想性，提升了绘画作品的审美意境。因此，以书法为切入点对石涛进行研究，可以更好地诠释他的“个性特征”。53115
本文主要分三章，第一章主要论述石涛书法的风格特征和成因。第二章论述书法在石涛绘画中的作用。第三章阐述石涛“书画结合”思想和对后世的影响及现实意义。
毕业论文关键字：石涛、书法、绘画
Abstract: Calligraphy is one of the important carrier of Chinese traditional culture , the formation and development of its literati painting has a profound impact. In this paper, Shi Tao to start exploring calligraphy paintings , calligraphy Shi Tao as little as a single , but very rich calligraphy paintings . The main topic of this article is to explore the art of calligraphy painting Shi Tao , the Shi Tao 's "book " and " painting" combined for analysis, you can better reveal the characteristic style of calligraphy paintings Shi Tao . Through his inscription calligraphy will combine poetry and painting , making the painting is not just a simple way to describe things , leaving the work of art is full of emotions and their thinking , enrich the painting ideological, enhance the aesthetic mood of paintings . Therefore, as a starting point for Shi Tao calligraphy study to better diagnostic interpretation of his " personality ."
This paper is pided into three chapters , the first chapter discusses the characteristics and causes of Shi Tao style of calligraphy . The second chapter discusses the role of calligraphy and painting in the Shi Tao . The third chapter Shi Tao " combine painting " thought and its impact on future generations and practical significance.
Keywords: Tao, calligraphy, painting
石涛画像 目录
绪论7
1石涛书法风格特征..8
1.1书法风格特点.8
1.2书体分析..9
2石涛书法风格形成原因11
2.1石涛的学书经历.11
2.2石涛书法的取法渊源12
3书法在石涛绘画中的作用.15
3.1在绘画构图中的作用15
4石涛题画书法对后世的影响..18
注释20
参考文献..21
致谢22
绪论清代钱杜在《宋壶画忆》中说到：
画之款识唐人只小字藏书根石罅大约书不工者多落纸背至宋始有年月记之然犹是细楷一线无书两行者唯东坡款皆大行楷或有跋语三五行开元人一派矣【1】
在北宋中期之前，画家在作品中少有提款,或只题记少许文字用来记述，要么就是直接在画作上钤印。少有人注意到题款与绘画意境相配合，题画书法对于绘画作品的重要性。到了北宋中期以后，以文同、苏轼、黄庭坚等人为首，大力提倡诗书画一体，文人画开始逐步兴起。而且宋代文人大多身兼诗书画多艺使题画书法得以极大的发展。及至明清时，绘画题款已发展的相当成熟。隶、楷、行、草题款，章法多样配合绘画意境，呈现多样风貌，石涛无疑是那个时代最具有代表性的人物。他集诗人、画家、书法家、绘画理论家于一身。其生性狂放而怪癖，交游多遗民书画篆刻家，思想复杂，以佛家禅法为根又参以儒、道、易学而臻高妙之境。