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摘要：唐代书法在整个中国书法史上占有极其重要的地位，然而米芾和康有为却提出了卑唐的观点，米芾无意于建立卑唐理论，却通过用笔、结构、章法等方面对唐代的楷书和草书进行了批评，贬低了唐代书法的艺术价值，在一定程度上壮大了碑学的势力。米芾的书学思想是其人生经历的总结，透过他“卑唐”的具象，可以感受到米芾的书学追求。从米芾“尚趣”的美学思想到“卑唐”观念的表达，清晰的反映了米芾的书法艺术观念，也阐明了米芾的书学思想。从斥唐的“一笔书”到“书不入晋，徒成下品”继而到“要在入人”的批评观，让米芾的胆识和率真反照了一个时代的不羁，更彰显了米芾崇尚自然地意趣。米芾追求书法的“尚趣”与自然，提倡追取“晋人格”，把“晋法”当做评价书法好坏的唯一标准。而康有为的卑唐观融合了他维新变法的思想，始终贯穿着“变”的思想，把创新作为美的价值判断，在他的思想中渗透了西方进化论的观点，他创作出的《广艺舟双楫》带有很强的目的性和政治色彩。康有为在清代碑学的影响下，系统的概述了碑学理论，进一步推动了碑学的发展，使得碑学理论和碑派书法进入到一个完全成熟和更加系统化的高度。62733
毕业论文关键词： 米芾, 康有为, 卑唐
Abstract: The tang dynasty calligraphy in the entire history of the Chinese calligraphy occupies an extremely important position, but MiFei and kang youwei put forward the low don's point of view, MiFei has no intention to establish a low tang theory, but through the pen, structure and composition of criticism, the regular script and cursive script of tang dynasty belittle the value of the tang dynasty calligraphy art, growing to a certain extent, the stone inscription rubbings. MiFei calligraphy thoughts is the summary of their life experiences, through his "British tang" representational, can feel MiFei book learning pursuit. From MiFei "is boring" aesthetic ideas to the expression of "low tang" concept, clearly reflects the MiFei concept of calligraphy art, also illuminates the MiFei calligraphy thoughts. From investing tang "a book" to "the book isn't in the jin, ACTS as inferior" and then to the "to" in the view of criticism, let MiFei boldness and frankness albedo unruly of an era, but also to the MiFei advocate natural interest. MiFei pursuit of calligraphy and nature "is boring", advocate after take "jin personality", "jin law" as the sole criterion for evaluation of calligraphy is good or bad. And kang youwei's low tang combined with his reform movement of thoughts, always runs through the thought of "change", the innovation as the value judgment of beauty, in his thought, the western theory of evolution, he created the "wide yizhou double renewed with strong purpose and politics. Under the influence of kang youwei in qing dynasty stone inscription rubbings, system overview of the theory of stone inscription rubbings, further promoting the development of stone inscription rubbings, "stone inscription rubbings theory and tablet calligraphy into the height of a fully mature and more systematic.
Keywords: Don MiFei, kang youwei, British Columbia
1“卑唐”观念的提出 4
1.1唐代书法的艺术成就 4
1.2唐代书法的历史地位 5
1.3“卑唐”观念的提出 5
2米芾、康有为“卑唐”观念的差别 6
2.1米芾与康有为“卑唐”观念的具体内容