- 上一篇：吴昌硕绘画题跋书法研究
- 下一篇：浅谈书法创作中“得意忘形”的主客观因素
摘 要：吴昌硕是书画一代宗师,尤以其篆书艺术成就最高,终结了清之前篆书皆以笔画粗细匀称、结构工稳平正的秦篆为正统,并逐步趋于僵化刻板、导致篆书衰微的局面。吴昌硕的篆书打破了前人篆书程式化的审美标准,提按使转变化丰富,书写自然流畅,具有很强的节奏感;在结构上增加了错落变化和虚实对比,使其篆书朴茂苍劲、雄强古拙,在古今的篆书家中傲视群雄,风格特征极为强烈,开创了一代新风,对近现代篆书的发展产生了巨大而深远的影响。因此,深入研究吴昌硕篆书风格成因,对于我们更好地理解其艺术成就很有意义。62640
毕业论文关键词：吴昌硕；石鼓文；风格；成因
Abstract：Fostered numerous eminent people like wu changshuo is a grand master painting and calligraphy, especially in the seal character the highest artistic achievement, the end of the qing dynasty before the seal character are in symmetrical line thickness, structure GongWen right Qin Zhuan as orthodox, and gradually tend to be too rigid and lead to the seal character fails. Fostered numerous eminent people like wu changshuo seal character broke the previous seal character of the stylized beauty standards, rich turn to make the change, writing naturally smooth, has a strong rhythm; Increased strewn at random change in the structure and the actual situation, the seal character sincere and honest and vigorous, XiongJiang like that, in the standings, the seal character of ancient and modern home style is extremely strong, created a generation of new wind, to the development of modern seal character has a huge and far-reaching influence. Therefore, further study of fostered numerous eminent people like wu changshuo seal character style, for us to better understand its artistic achievement is very meaningful.
Key words: fostered numerous eminent people like wu changshuo; Inscriptions on drumshaped stone blocks. Style; Genesis;
1 吴昌硕篆书风格综述3
1.1 吴昌硕生平及艺术简介3
1.2 吴昌硕生活时代篆书及篆书家简介3
2 吴昌硕篆书风格分析4
2.1泼751恣肆、饱满酣畅的笔画4
2.2浑厚大气、婀娜飘逸的结体5
2.3错落有致、匠心独运的章法5
3 吴昌硕篆书风格形成的主要几点因素6
3.1石鼓文是吴昌硕篆书风格的翅膀6
3.2 小篆是吴昌硕篆书造型的基石8
3.3楷行书结体势态是吴昌硕篆书结字的来源9
3.4“出己意”是吴昌硕篆书风格形成的关键10
结论12
参考文献13
致谢14
1 吴昌硕篆书风格综述
1.1 吴昌硕生平及艺术简介
吴昌硕(1844—1927)出生于浙江省安吉县鄣吴村。名俊,字香补，中年后易字昌硕，别号甚多如苦铁、大聋等。他少年时即喜金石、书法，好钻研文字训诂。1896年（清光绪二十二年），吴昌硕出任江苏安东（今涟水县）县令，仅一月即辞去。此后专心创作。1913年西泠印社正式成立，吴昌硕被推为会长。吴昌硕在篆刻、书法、绘画诸方面均有很深的造诣，绘画深得朱耷、石涛、徐渭之精髓，并受任伯年之影响，兼取篆、隶、狂草笔意，色酣墨饱，气势磅礴。作品以梅、竹、兰、菊等花卉蔬果居多，偶写山水人物。著有《缶庐集》、《缶庐印存》等。
1.2吴昌硕生活时代篆书及篆书家简介
清朝篆书艺术是一个突起并繁荣的朝代,这主要来源于古代金石、碑版的大量涌现,一时间尊秦重汉、写篆隶之风盛行，碑学也成为了显学。这个时期名家辈出,各领风骚。
清初,篆书各家仍被秦篆所影响。以王澍为代表的篆书家们都没有跳出传统小篆的桎梏,他们写篆端正匀称,理性严谨,且一求圆求媚,几近画字,气衰势弱,未能在传统篆书艺术的基础上有所发展。